Becca Kaplan is a graduate from the University of Pennsylvania and earned her MA in Film Studies from King's College London. She began reviewing with Plays To See in the fall of 2013 when she moved to London to earn her Masters. Currently, Becca lives in Germany, exploring another international side of theater criticism.
What is in an identity? Is it something inherent in us, a labeling system society imposes or that we impose on ourselves? How are identities formed an...
Theater in its very nature is an artifice, a show, a construction brought together for various purposes. This year’s Soho Fringe Encore Series confron...
Where does horror lie? Is it external or does it come from within ourselves? What if we were the monster all along? Many shows today wrestle with this...
Breaking up is hard to do. That is a sentiment that crosses race, gender, sexuality, and any other factor we might come across. The modern breakup see...
Years ago, I had the opportunity to see Patina Miller in a production of Pippin that brought the circus to Stephen Schwartz’s interpretation of the he...
If the end of the world was going to happen, I suppose it would be in New Jersey. New Brunswick, New Jersey, to be precise. I am perhaps a little bias...
“But that is the secret of my charm: I tell people what they don’t want to hear.” And for the next two hours after Antonin Scalia (Edward Gero) utters...
Empowering. Strong. Proud. These were the words shouted by the audience after Royal Family Production’s performance of Women on Fire: Stories from the...
In 1972, Dr. John Fryer put on a rubber joke mask, a voice modulator, and the name Dr. Henry Anonymous and spoke as the sole psychiatric representatio...
