The Notorious Mrs. Ebbsmith
3.0★ ★ ★
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The Notorious Mrs. Ebbsmith

Primavera prides itself on rediscovering lost classics of the stage. However noble this venture might be for theatrical history, the rediscovered play...
Bitch Boxer
3.5★ ★ ★
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Bitch Boxer

Women were allowed compete in boxing in the Olympics for the first time in 2012. Around the same time, writer, Charlotte Josephine, felt her individua...
Major Tom
3.5★ ★ ★
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Major Tom

Any show that begins with walking in and petting a dog can only be a great time, right? Well that at least was the mindset I had after entering Major ...
How To Be Immortal
4.0★ ★ ★ ★
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How To Be Immortal

Entering into a basement theater, set up like a café, a sense of comfort and connection is immediately established. A lone woman (Anna-Helena McLean) ...
Each of us
3.5★ ★ ★
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Each of us

In the definition of a hole in the wall theater (I think I spent more time trying to find the place than watching the show), comes Ben Moor’s one-man ...
Opus
4.0★ ★ ★ ★
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Opus

The Barbican is once again stretching boundaries and blurring genres while hosting Opus, a collaborative production devised by Circa and the Debussy S...
The Pardoner’s Tale by Geoffrey Chaucer
4.0★ ★ ★ ★
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The Pardoner’s Tale

A classic English tale is brought to life this month at the Unicorn Theatre.  In a co-production with Tangere Arts, Chaucer’s The Pardoner’s Tale is g...
Lebensraum by Jakop Ahlbom
4.0★ ★ ★ ★
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Lebensraum

Kicking off the London International Mime Festival at the Southbank is Lebensraum by Swedish-born theatre-maker Jakop Ahlbom, described as ‘a wordless...
Fuerzabruta by Diqui James and Gaby Kerpel
5.0★ ★ ★ ★ ★
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Fuerzabruta

Scholar Laura Marks described the haptic experience as brushing as near as possible to verbalizing a sensory experience in its fullest, most accurate ...