The War Emma Hardy 24/08/2014 Epic. Captivating. Spellbinding. It is very easy to run out of superlatives to describe Vladimir Pankov’s The War, which forms part of the 2014 Edinbu...
The James Plays Emma Hardy 22/08/2014 A gigantic sword pierces the stage in each of the three instalments that form The James Plays series. However, thesword’s appearance varies in each of...
Ganesh Versus The Third Reich Emma Hardy 20/08/2014 “Some of us identify with being outsiders. Some of us don’t. We wonder: what would we be outside of?” This extract is taken from the mission sta...
The Sonneteer Emma Hardy 14/08/2014 Shakespeare’s sonnets have often been severely neglected in comparison to his plays, despite the fact that it is possible to view them as dramatic mon...
One Man Breaking Bad Emma Hardy 10/08/2014 In this one-man marathon, One Man Breaking Bad, Miles Allen extracts the powerfully original characters that form the hit television series and weaves...
Julius Caesar in Original Pronunciation Emma Hardy 04/08/2014 The fashion for performing Renaissance theatre as closely to our understanding of how the audiences of the time may have seen the plays is still very ...
The Edinburgh Literary Pub Emma Hardy 04/08/2014 If you wish to escape the often stationary spectatorship role that comes with attending the Edinburgh Festival Fringe, the Edinburgh Literary Pub Tour...
Paradise Lost Emma Hardy 04/08/2014 In the 17th century, John Milton published his ten-book epic, which recounts the fall of Satan, the creation of the world, and the fall of Adam and Ev...
In the Vale of Health Emma Hardy 31/05/2014 Four separate plays. Four interlocking plays. The same play performed four ways. To assign In the Vale of Health a succinct description is a challe...
Martine Emma Hardy 25/04/2014 There isn’t one moment of your life you recall with special tenderness? Martine is Jean-Jacques Bernard’s most famous play. Set between 1920 and 19...
