FORWARD and Into Outside Le Festival d’Avignon Marie Communal 05/08/2019 I thank the woman who gave me a leaflet for this contemporary dance performance. Thanks to this encounter typical of Avignon, I saw a very touching sh...
Orphelins Le Festival d’Avignon Marie Communal 05/08/2019 Liam, a young man aged 20 years, covered in blood, enters his sister’s apartment while she is having an intimate dinner with her husband. He tries to ...
Proudhon modèle… Courbet Le Festival d’Avignon Marie Communal 05/08/2019 When you enter in the performance hall, what strikes you first is the huge unfinished painting in the centre of the stage. In 1855, Gustave Courbet...
Hamlet Le Festival d’Avignon Marie Communal 29/07/2019 When you enter the performance hall of the Gilgamesh Belleville, you are welcomed by the organiser of the wedding: "Come on, ladies and gentlemen, sit...
4.48 Psychose Marie Communal 28/07/2019 On 20th February 1999, Sarah Kane committed suicide. This desperate act was announced with gallows humour in her last play: 4.48 Psychose: “At 4.48 AM...
Une vie sur mesure (A tailor-made life) Le Festival d’Avignon Marie Communal 27/07/2019 It is 10:30 AM in Avignon. At this time of the morning, the city is still calm. But at the Théâtre des Gémeaux, it is crowded. Everyone wants to (re)d...
Outwitting the Devil Le Festival d’Avignon Marie Communal 27/07/2019 At the Cour d’honneur of the Palais des papes, Akram Khan presents a great choreography directly inspired by the Epic of Gilgamesh, an old founding ep...
Le Moche Le Festival d’Avignon Marie Communal 24/07/2019 One day, Lette’s life turns upside down. This brilliant engineer learns that he is...ugly. Because of this “objective ugliness” upon which his entoura...
Burnout Le Festival d’Avignon Marie Communal 24/07/2019 Before entering the Gilgamesh Belleville, I was very much looking forward to discovering this very current play written by Alexandra Badea: Burnout. I...
Why? Marie Communal 03/07/2019 If you are looking for a spectacular show, go on your way. Why? presents a stripped-down (but not austere) staging, ready to receive the actor’s word....
