Author Miho Uchida

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Miho Uchida
Reviewer (Japan)
An opera lover and a journalist. A member of the Foreign Press Association in London. She contributes her articles to Japanese magazines as well as Plays to See. She graduated with a BA in Opera Studies from Manchester University and received her MA by researching Gender issues and Orientalism in Opera from UCL. She is currently an Adjunct Instructor in Opera Studies at Temple University, Japan Campus.

Il Turco in Italia

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The New National Theatre Tokyo opens its new season with Rossini’s Il Turco in Italia, a co-production between Madrid’s Teatro...

Werther

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Massenet’s Werther tells the tale of an unrealised love between a young couple, Werther and Charlotte. The opera opens with...

L’elisir d’amore

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Gaetano Donizetti’s L’elisir d’amore remains one of opera’s most enduring comic masterpieces. The opera follows Nemorino, an earnest but insecure...

Wozzeck

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This tragedy-driven opera, based on Georg Büchner’s Woyzeck (1837), tells the story of Wozzeck, a soldier brutally mistreated by the...

Giselle

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The National Ballet of Japan made its UK debut performing Miyako Yoshida’s production of Giselle at the Royal Opera House,...

Il Barbiere di Siviglia

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Josef E. Köpplinger’s lively and imaginative production of Rossini’s Il Barbiere di Siviglia returns to the New National Theatre Tokyo...

Carmen

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Àlex Ollé’s 2021 production of Carmen has returned to the New National Theatre Tokyo after four years. This interpretation is...
©Rikimaru Hotta/New National Theatre, Tokyo

Guillaume Tell

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Rossini’s final opera, Guillaume Tell, was recently staged at The New National Theatre Tokyo in its original French for the...