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La Cenerentola

Clapham Opera Festival aims to offer a taste of opera to the folk of South London – its slogan is ‘opera for the many, not the few’. Judging by the mi...
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Solomon and Marion

This brilliant play finally arrives in London after triumphant runs elsewhere in the UK and South Africa. It is a deceptively simple affair – telling ...
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The Trial

There is every reason why the strange and unsettling fate of Joseph K, the central character of Franz Kafka’s novel, should provide fertile material f...
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La Traviata

Traviata is a work that fits the OperaUpClose model perfectly – one or two big party scenes excepted, it is primarily a series of duets and trios. In ...
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Norma

Bellini’s ‘bel canto’ operas are an acquired taste. This production of his 1831 masterpiece Norma is not likely to convert the sceptics because, despi...
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Much Ado About Nothing

There is so much energy packed into this performance of a shortened version of Much Ado that I left the theatre feeling quite exhausted. The likeable ...
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Medea

Finding a way to put Greek Tragedy on a 21st Century stage is never easy. Some of the conventions of ancient theatre – the chorus, for example - do no...
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The Turn of The Screw

Britten’s major operas revolve around a series of key themes and The Turn of the Screw is the most harrowing account of one of them - the corruption o...
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TOOT: Be Here Now

Shoreditch Town Hall in the heart of Hoxton is the venue for this charming, chaotic and inconsequential piece of performance theatre. Described by its...