Blake Klein, Creative Producer of Pint of Wine Theatre Company, in conversation with Richard Voyce Richard Voyce Interviews 03/04/2019
Reviewer's Rating F**king Men Tim Hochstrasser 27/04/2023You might well think from the confronting title and art work that goes with it that this play occupies a...
Reviewer's Rating Dancing at Lughnasa Tim Hochstrasser 25/04/2023‘Atmosphere is more real than incident, and everything is simultaneously actual and illusory’. So says, Michael, the adult narrator in...
Reviewer's Rating Animal Tim Hochstrasser 24/04/2023‘Animal’ opens at Park200 after an initial run in Manchester and winning the inaugural Through the Mill Playwriting Prize. It...
Reviewer's Rating The Good Person of Szechwan Tim Hochstrasser 23/04/2023This is the 80th anniversary year of a play that has become accepted as one of Brecht’s most durable, where...
Reviewer's Rating Blue Tim Hochstrasser 21/04/2023Given the grim background to this year’s season at ENO it is more than little ironic that the programme has...
Reviewer's Rating Snowflakes Tim Hochstrasser 18/04/2023‘Snowflakes’ is a discomfiting but important new play that first ran at the Old Red Lion a couple of years...
Reviewer's Rating Private Lives Tim Hochstrasser 16/04/2023Each generation reworks Coward’s classic 1930 light comedy in its own image. The last time I saw it was twenty years...
Reviewer's Rating Life is a Dream Tim Hochstrasser 14/04/2023Calderón’s ‘Life is a Dream’ (La Vida es Sueño) dates from the second phase of the Golden Age of Spanish...
Reviewer's Rating Akhnaten Tim Hochstrasser 20/03/2023‘Akhnaten’ is the third of Philip Glass’s operas that offer portraits of historical figures significant in the fields of science...
Reviewer's Rating Ballet Black: Pioneers Tim Hochstrasser 10/03/2023This fresh double-bill from Ballet Black introduces two works – ‘Then or Now’, which had a very brief outing ahead...
