Reviewer's rating Pilgrims Tim Hochstrasser 30/03/2022‘Pilgrims’ dates from 2016 and has had performances at several venues around the country. It is well suited as a...
Reviewer's rating Peter Grimes Tim Hochstrasser 28/03/2022Since its first performance in 1945, ‘Peter Grimes’ has never left the repertory and its status as a masterpiece of...
Reviewer's Rating Dev’s Army Tim Hochstrasser 16/03/2022‘Strange Fish Theatre’ perform a very valuable role in bringing to the UK the best of Irish playwrighting, whether classic...
Reviewer's rating Legacy Maria Friedman and Friends Tim Hochstrasser 13/03/2022Maria Friedman closely collaborated with three composers who have died in recent years – Marvin Hamlisch, Michel Legrand and Stephen...
Reviewer's Rating The Telephone & Miss Fortune Tim Hochstrasser 06/03/2022There are obvious attractions behind offering a double-bill for the Spring opera slot at the Guildhall: a variety of mood...
Reviewer's Rating Proud Tim Hochstrasser 01/03/2022‘Proud’ is adapted by Bren Gosling from his novel depicting the interactions between three characters in contemporary London. Roland is...
Reviewer's Rating The Collaboration by Anthony McCarten Tim Hochstrasser 25/02/2022I was really excited to see The Collaboration for completely selfish reasons. In another life, I stage-managed a beautiful show...
Reviewer's Rating Pick A Pocket or Two – A History of British Musical Theatre By Ethan Mordden Tim Hochstrasser 22/02/2022This new and welcome study of the history of the musical in Britain fills -incredibly – a major gap in...
Reviewer's Rating Urinetown Tim Hochstrasser 22/02/2022This musical is unusual in at least two respects: it was both cancelled and then remade by 9/11, and it...
Reviewer's rating The Forest Tim Hochstrasser 17/02/2022This is one of those plays where it does help to read the interviews in the programme. Even more than...
