Reviewer's Rating La Fedeltà Premiata (Fidelity Rewarded) Tim Hochstrasser 12/11/2019Haydn’s operas rarely get the outings they deserve, and the responsibility for that lies (unintentionally) with Mozart. So much that...
Reviewer's Rating Death of a Salesman Tim Hochstrasser 08/11/2019This production of Miller’s most famous play has transferred into the West End from the Young Vic. Half of the...
Reviewer's rating The Match Box Tim Hochstrasser 03/11/2019Frank McGuinness has built up a formidable reputation over the past thirty years as a poet, adaptor of plays in...
Reviewer's Rating Red Velvet Tim Hochstrasser 20/10/2019Red Velvet has had great success on both sides of the Atlantic since its first appearance at the Tricyle/Kiln back in...
Reviewer's Rating Orpheus in the Underworld Tim Hochstrasser 16/10/2019Emma Rice is a wonderful example of a ‘marmite’ director, whose productions are either greeted as startlingly original interventions that...
Reviewer's Rating Orpheus and Eurydice Tim Hochstrasser 15/10/2019Gluck’s contribution to the development of opera is still under-appreciated, straddling as he does the transition between the Baroque and...
Reviewer's rating Noises Off Tim Hochstrasser 05/10/2019‘Noises Off’ was first seen as long ago as 1982, and its many revivals since have ensured that it now...
Reviewer's rating Amsterdam Tim Hochstrasser 15/09/2019This new play is a joint production between the Orange Tree Theatre and the Actors Touring Company. It is also...
Reviewer's Rating Hansard Tim Hochstrasser 06/09/2019As you take your seat the music of ‘The Lark Ascending’ washes across a stage carrying the outlines of a...
Reviewer's rating Les Damnés Tim Hochstrasser 24/06/2019This first collaboration between director Ivo van Hove and the Comédie-Française is also the company’s first visit to this country...
