Reviewer's Rating La Brèche (The MacAlpine Spillway) Le Festival d’Avignon Emilie Proudhon-Dumesny 29/07/2019Tommy Milliot, the young French director and founder of the Man Haast company, is particularly interested in directing plays by...
Reviewer's Rating Une vie sur mesure (A tailor-made life) Le Festival d’Avignon Marie Communal 27/07/2019It is 10:30 AM in Avignon. At this time of the morning, the city is still calm. But at the...
Reviewer's Rating Outwitting the Devil Le Festival d’Avignon Marie Communal 27/07/2019At the Cour d’honneur of the Palais des papes, Akram Khan presents a great choreography directly inspired by the Epic...
Reviewer's Rating Le Moche Le Festival d’Avignon Marie Communal 24/07/2019One day, Lette’s life turns upside down. This brilliant engineer learns that he is…ugly. Because of this “objective ugliness” upon...
Reviewer's Rating Burnout Le Festival d’Avignon Marie Communal 24/07/2019Before entering the Gilgamesh Belleville, I was very much looking forward to discovering this very current play written by Alexandra...
Reviewer's Rating Lewis versus Alice Le Festival d’Avignon Emilie Proudhon-Dumesny 23/07/2019This year, at the Avignon ‘In’ festival, a show with a curious name is presented: it is called Lewis versus...
Reviewer's Rating Autobiography Le Festival d’Avignon Emilie Proudhon-Dumesny 23/07/2019This summer, for his first time in Avignon, British choreographer Wayne McGregor presents his Autobiography in the beautiful Cour du...
Reviewer's rating La Solitude du Coureur de Fond Le Festival d’Avignon Emilie Proudhon-Dumesny 23/07/2019When you go to see a play that is called La Solitude du Coureur de Fond (The Loneliness of the...
Rémi Prin en conversation avec Thibault ElieLe Festival d’Avignon Thibault Elie 21/07/2019For English translation of the interview – see below Après la critique enthousiaste d’Emilie Dumesny de la pièce Solaris, découvrez...
Reviewer's rating Solaris Le Festival d’Avignon Le Festival d’Avignon Emilie Proudhon-Dumesny 20/07/2019It is quite rare to see works of science-fiction adapted to the stage these days: it is not considered as...
