Amor Katerina Gotsi 16/04/2014rofit”, “take”, “dollars”, “consume”, “capacity”, “interest”, “buy”, “credit”, “stock”, “takes” “buy”, “sell”; in Theodoros Terzopoulos’ new production there is no...
La Cantatrice Chauve (The Bold Soprano) Ronit Wineman 13/04/2014a Cantatrice Chauve (The Bald Soprano) has played more than 17,000 performances at the Theatre de la Huchette and has...
Cyrano de Bergerac Katerina Gotsi 13/04/2014arge scale theatrical productions in big venues, although popular, are often treated with suspicion by Athenian audiences. Aiming at a...
Black Eggs (Αυγά Μαύρα) Katerina Gotsi 31/03/2014he war is never over, when it officially ends. The trauma often haunts its survivors for the rest of their...
A Doll’s House Liana Fernez 12/03/2014s fast as any of Ibsen’s plays allow, Carrie Cracknell’s A Doll’s House hurtles towards its heroine’s escape—a nineteenth century...
Next Fall Morgan Golumbuk 24/02/2014ext Fall by Geoffrey Nauffts, now running at the Main Street Players in Miami Lakes, focuses on Adam and Luke, two...
Alone with Hamlet (Μόνος Με Τον Άμλετ) Katerina Gotsi 14/02/2014s the audience is admitted into the palatial auditorium of the splendid, recently restored, Municipal Theatre of Piraeus, an actor...
A Masked Ball Aparna Halpé 09/02/2014“re you enjoying the performance?” “The singing!” This snippet of conversation, overheard in the foyer of the Four Seasons Centre...
Macbeth: The Notes Ronit Wineman 04/02/2014emmett’s striking adaptation of ‘Macbeth’ is an extreme transformation of the Scottish play whose structure and content need a great...
The Merchant of Venice (Ο Έμπορος της Βενετίας) Katerina Gotsi 01/02/2014hakespeare’s The Merchant of Venice is a comedy full of contradictions: loyalty and betrayal, fairy tale and harsh reality, gaiety...
