Classic Opera, Mozart and Gluck: an interview with conductor Ian Page and theatre director John Wilkie Mel Cooper Interviews 23/05/2019
Reviewer's Rating BOOM Gillian Russo 15/01/2020“Ok boomers,” I have to hand it to you — the music you grew up with can’t be beat, no...
Reviewer's rating My Brilliant Friend (L’amica geniale) Enza De Francisci 13/01/2020Stories stand the test of time through translation, be it from one language to another, or from one genre to...
Reviewer's rating Magic Goes Wrong Blake Gordon Plante 13/01/2020Magic Goes Wrong is a joyfully dark show that mixes magic and clowning to deliver one failed act after another....
Reviewer's rating Only Bones 1.4 London MIME Festival 2020 Blake Gordon Plante 12/01/2020The show’s light, a dynamic piece hanging from the ceiling, addresses the audience, initiating us to the mime show’s premise....
Reviewer's rating Swive Blake Gordon Plante 08/01/2020“I want to go home but I don’t know where it is,” says a young, exasperated Princess Elizabeth played by...
Reviewer's rating The Boy in the Dress Mel Cooper 05/01/2020Based on a book by David Walliams, the new Christmas-treat musical created by the RSC has all the hallmarks of...
Reviewer's rating La Traviata Sandra Kammel 29/12/2019Return to an age of slow living. Get comfortable in a casual corset and let your admirers watch as if...
Handel, Messiah Catherine Flutsch 24/12/2019Occasionally, a concert comes along in which every element comes together in some sort of divine perfection, creating a transcendent...
Reviewer's rating The Lost Thing Blake Gordon Plante 23/12/2019Accessible and heart-felt, The Lost Thing is a beautiful adaptation of Shaun Tan’s picture book of the same title, by...
★ ★ ★ The Snow Queen Catherine Flutsch 20/12/2019The wonderful thing about Oxford’s Creation Theatre is that it never plays things safe. This company always takes risks with...
