Reviewer's Rating The City That Cried Wolf Paul Meltzer 24/11/2016ou have to at least admire the commitment to the premise. Comedian/actor/playwright Brooks Reeves doggedly mashes up every Grimm’s fairy...
Reviewer's Rating Cloud Gate 2 – Triple Bill Pauline Flannery 23/11/2016aiwanese Company, Cloud Gate 2, tear up the rule book. Yes, influences are there – Martha Graham, Merce Cunningham, martial...
Reviewer's Rating The Tempest Mel Cooper 21/11/2016here is a great deal of publicity about the use of contemporary technology that has been applied to make the...
Reviewer's Rating Akram Khan’s Giselle Primrose MacFay 21/11/2016kram Khan’s re-worked “Giselle” at Sadler’s Wells ended with the packed-house audience rising as one with a standing ovation. Many...
Reviewer's Rating Black / what remains and is to come Marine Furet 20/11/2016or this double bill, the Tramway pairs up two performances dealing with space, things, and the traces they leave behind...
Reviewer's Rating Institute Harry Tennison 17/11/2016nstitute is a performance I have hunted for some time. I have heard many a good thing about Gecko’s touring...
Reviewer's Rating Poison Laura Vogels 16/11/2016t is easy to see why Poison is an international hit. The delicate yet hard-hitting show about the grief of...
Reviewer's Rating The Worst Was This Isabella Cordua 14/11/2016atte ‘O Brien’s The Worst Was This is an exceptional pièce de théâtre where death and life, love and hate,...
Reviewer's Rating Macbeth Aleksandra Sakowska 12/11/2016Julien Balajas’s adaptation of Shakespeare’s Macbeth is more of a miss than a hit. And it could have been a...
Reviewer's Rating Les Contes d’Hoffman Rivka Jacobson 12/11/2016ohn Schlesinger’s original production with William Dudley’s lavish sets and Maria Björnson’s exquisite costumes, provide an inspired backdrop to the...
