Classic Opera, Mozart and Gluck: an interview with conductor Ian Page and theatre director John Wilkie Mel Cooper Interviews 23/05/2019
Reviewer's Rating Needles and Opium Luke Davies 10/07/2016eedles and Opium is a meditation on love, loss, creativity and addiction. It is a revival of a 1991 work...
Reviewer's Rating Queens of Syria Hannah Connell 09/07/2016ueens of Syria draws attention to the untold stories which lie below the media narratives of the Syrian conflict. Thirteen...
Reviewer's Rating Punjabi Boy Steven Barfield 09/07/2016new play by an emerging young playwright is always of interest. I especially liked the premise behind Amman Paul Singh...
Reviewer's Rating CUT Nicholas Potter 07/07/2016he Vaults Theatre. There’s nothing quite like it. The venue is in some refurbished arches, with its own bar, buried...
Reviewer's Rating Ugly Lovely Sam Pengelly 06/07/2016t felt apt that the Welsh football team were dismantling European heavyweights Belgium in the Euro 2016 quarter-final match in...
Reviewer's Rating Il Trovatore Rivka Jacobson 05/07/2016n 1851 Verdi wrote to his librettist Cammarano “the more unusual and bizarre the better” urging him to complete the libretto for Il...
Reviewer's Rating Le Nozze di Figaro Mel Cooper 03/07/2016ou do not go to Longborough for hugely glamorous productions. A bit like Bayreuth after WWII, the approach is highly...
Reviewer's Rating Savage Richard Voyce 03/07/2016s I sit here writing this review there is a leadership election being undertaken in the UK for someone to...
Reviewer's Rating Falstaff & Son Tim Hochstrasser 02/07/2016his notable contribution to this year’s RADA Festival extracts the central relationships and confrontations from Henry IV, Parts 1 &...
Reviewer's Rating The Truth Paul Meltzer 01/07/2016ith a portentous title like “The Truth”, one might expect a searing drama in this latest outing from the author...
