Alessandro is an opera, music and theatre lover, Italian born with a solid humanistic education, Londoner by adoption, he is been enjoying the London rich cultural scene for the past 14 years and recently started writing reviews.
Music it has always been part of his life. He used to be a choir singer and director, and amateur piano player.
There are many reasons why Puccini’s La Bohème is one of the favourite opera of every theatre in the world: the perfect balance of tragedy and comedy,...
The controversial Victor Hugo's play, Le roi s'amuse, offered Verdi the opportunity to break with the Italian operatic tradition of closed forms (reci...
The opening night of a new season at the Teatro Massimo is always an event for the entire city of Palermo, and this year is also its first great event...
The 53rd cycle of classical performances at the Greek theatre of Syracuse this year is presenting two tragedies from the legend of Oedipus and his cursed descendants...
The heyday of Italian neorealism in cinema lasted only a few years but its legacy can still be felt today. Thanks to the genius of Roberto Rossellini,...
In his 2001 play, Beau Brummel An Elegant Madness, Ron Hutchinson vividly portrays the final years of the famous dandy and arbiter elegantiae of Regen...
The first revival of Jonathan Kent’s production of Manon Lescaut stirs strong emotions as it undoubtedly must have when it premiered back in 2014. Puc...
