The excellence of Macbeth is in how indelibly it marks the tragic course of the evil inherent in the human soul, of the inexorable progress flowing fr...
HUMAN, presented as a noun barred by a black line, means the concept of the human being and its negation at the same time. This performance by Marco B...
All the world's a stage, and all the men and women merely players. They have their exits and their entrances, and one man in his time plays many parts...
This adaptation of the Odyssey by Emma Dante was premiered at the Festival of Two Worlds in Spoleto, Italy, but the real debut, says the director, was...
It must be a dream for every opera lover the watch Verdi’s wonderful La Traviata, in the courtyard of a medieval palace and under the open sky. The op...
The thirty-fifth edition of the Festival of the Orestiadi di Gibellina opens on July the 16th with Toni Servillo, who takes us on a journey to Naples....
Cesare Lievi’s direction of Alcestis is faithful to the Euripides’ idea of a seriocomic tragedy so he skillfully blends the two aspects. The play is s...
Gabriele Lavia sets Electra in front of a rusty destroyed building in a sort of post apocalyptic world: Agamemnon ruthless ambitions and the adulterou...
In the splendour of the Venetian opera house, La Fenice, Elena Barbalich’s production of Antonio Vivaldi’s Juditha Triumphans is a stupendous triumph....
