Chris Bush’s Otherland, currently at the Almeida Theatre, tells the story of Harry and Jo, a couple navigating the breakdown of their ten-year relationship as Harry begins her transition. The play explores themes of identity, change, and what it means to be a woman, moving beyond the personal into broader societal questions.
The cast delivers strong performances across the board. Fizz Sinclair’s portrayal of Harry is deeply affecting, capturing both the emotional turmoil and resilience of her journey. Her final monologue is a standout moment—raw and unfiltered. Jade Anouka’s performance effortlessly balances Jo’s vulnerability and resilience, making her a compelling presence in the play. Gabby (Amanda Wilkin) injects well-timed comedic relief, offering moments of levity that prevent the play from becoming too heavy while still respecting its emotional weight.
The staging is simple but effective, allowing the focus to remain on the characters while still offering visual interest. The use of narrators slipping in and out of side roles is seamless, helping the story move fluidly. Lighting shifts throughout to reflect different moods and moments, adding another layer to the storytelling without feeling overly stylised. The second act takes a bold visual turn, moving into something more abstract and unexpected, which adds to the impact of the narrative.
Otherland dives deeply into the nuances of transitioning, addressing the often-overlooked struggles that come with it. Beyond the well-known emotional journey of self-discovery, the play explores the battles faced in a world not built for you. It also touches on complex ideas surrounding womanhood and femininity, such as Jo’s reluctance to have children and the societal expectations placed on her to do so. In contrast, Gabby’s infertility adds another layer to the conversation, offering insight into the personal and emotional toll of being unable to conceive. The play captures the weight of these issues with sincerity, showing that the struggle is not just about identity but also about navigating expectations, both personal and external.
Act Two of Otherland presents a significant departure from the first, embracing a more visually dynamic and abstract approach. Where the first act is grounded in realism, the second shifts to a conceptual space that offers a stark contrast. The characters’ stories break away from traditional narrative structure, taking on futuristic and old-fashioned adaptations of their personal journeys. This conceptual exploration deepens the emotional impact of the play, allowing it to transcend the specificities of its setting and become more symbolic. This bold change in direction is unexpected but executed well.
Overall, Otherland is a bold and thoughtful piece of theatre, tackling complex subjects with intelligence and emotional depth. Strong performances, clever staging, and an ambitious second act make it a standout production.
Venue: Almeida Theatre
Running time: 2 hours and 30 mins (including interval)