Reviewer's Rating Wrecks (Wraki) Aleksandra Kotapska 02/12/2015eil LaBute’s play is one of those ostensibly proper and straightforward tales with an unexpected twist at the end. Well-written...
Reviewer's Rating Women of Troy Aleksandra Kotapska 20/10/2015omen of Troy is a stunningly beautiful performance, introducing a new phase for the changing face of Georgian theatre. Directed...
Reviewer's Rating Macbeth Nicola Watkinson 13/08/2015n this stripped-back, deeply psychological production of Macbeth, the stage is dark and hung with criss-crossing trapeze wires – a...
Reviewer's Rating King Lear Aleksandra Kotapska 12/08/2015an Klata’s adaptation of King Lear is a memorable one. The director transports Shakespeare’s drama to the Vatican, where Lear...
Reviewer's Rating The Tempest Nicola Watkinson 10/08/2015rzysztof Garbaczewski’s adaptation of The Tempest is daring: it questions what is the best way to perform Shakespeare, and challenges...
Reviewer's Rating Julius Caesar Nicola Watkinson 10/08/2015turua’s Julius Caesar sees the action of the play transferred from Ancient Rome to gangster-era America, with the senators dressed...
Reviewer's Rating Hamlet: Who’s There? Nicola Watkinson 05/08/2015amlet is usually considered to be Shakespeare’s longest play, with the full text taking about five hours to perform. It’s...
Reviewer's Rating Tamási Áron Theatre – Hamlet Nicola Watkinson 05/08/2015his production has an extremely promising opening: in total darkness, two skull-shaped lanterns converse in gravelly, ghostly voices, using the...
