For this performance, the Szekspirowski took yet another shape, as an amphitheatre, created for the audience in the space that is usually upstage and backstage
This was the only performance of the main Shakespeare Festival (as against the secondary events grouped under the title Szekspiroff) that was not hosted by the Teatr Szekspirowski...
Women of Troy is a stunningly beautiful performance, introducing a new phase for the changing face of Georgian theatre. Directed by one of the most ex...
In this stripped-back, deeply psychological production of Macbeth, the stage is dark and hung with criss-crossing trapeze wires – a questionable move,...
Jan Klata’s adaptation of King Lear is a memorable one. The director transports Shakespeare’s drama to the Vatican, where Lear is the Pope and his dau...
Krzysztof Garbaczewski’s adaptation of The Tempest is daring: it questions what is the best way to perform Shakespeare, and challenges sexual and gend...
Sturua’s Julius Caesar sees the action of the play transferred from Ancient Rome to gangster-era America, with the senators dressed in suits and fedor...
