Polly Findlay’s Merchant of Venice is a decidedly mixed bag, like the giant pendulum which swings at the back of the stage, it moves from the ridiculo...
Iqbal Khan’s production of Othello has a deep split running through its middle. The first half is expansive and fast moving with the set changing flui...
I’m afraid that mine has to be a dissenting voice. By and large, people have been raving about this show. As always, the production of this play is br...
The RSC has paired new productions of Love’s Labours Lost and Much Ado About Nothing to promote the idea that the latter is the mysterious lost play L...
After the wonderful, rich production and interpretation of Richard II by the Royal Shakespeare Company, I was hugely looking forward to Henry IV, Part...
