The Globe’s new production of Richard II begins with pomp, majesty and immaturity: the child King Richard’s coronation— a shower of golden confetti, t...
Polly Findlay’s Merchant of Venice is a decidedly mixed bag, like the giant pendulum which swings at the back of the stage, it moves from the ridiculo...
Iqbal Khan’s production of Othello has a deep split running through its middle. The first half is expansive and fast moving with the set changing flui...
