The new production of Terence Rattigan’s 1946 hit play THE WINSLOW BOY that is touring the UK is a vivid reminder of just what a good playwright Ratti...
There is a lot of Rattigan about in London recently, and rightly so. Few of his fifteen or so plays are without value, several are still hardly known,...
Helen McCrory and Carrie Cracknell, who worked together on The National Theatre’s Medea, reunite for The Deep Blue Sea, a play with none of Medea’s wi...
I was very keen to catch up with this play, which is now touring extensively in a solidly cast and directed production. It has become a work of some h...
As Rattigan was to write six years later at the end of The Browning Version, “occasionally an anti-climax can be surprisingly effective”. The genius o...