There’s something truly magical about stumbling upon a captivating new show in an equally enchanting venue. The Stage Door Theatre—an intimate pub theatre nestled above The Prince of Wales on Drury Lane—opened its doors in May, offering a cozy haven for theatre lovers. Although The Story of My Life first premiered nearly 20 years ago in Toronto, both the venue and the show were new to me, and I was completely charmed.
The show is an engaging two-hander that delves into the complex layers of friendship and memory.
We follow best-selling author Thomas Weaver (Markus Sodergren) as he returns to his hometown to deliver the eulogy for his childhood best friend, Alvin Kelby (Tim Edwards). As Thomas grapples with the words to honor his friend, the audience is swept through a series of nostalgic flashbacks that illuminate their deep bond. From the day they met in grade school—paired together by their perceptive teacher, Mrs. Remington, who saw two lost souls in need of each other—to their shared love of Christmas traditions, especially making snow angels on Christmas Eve, their relationship is tenderly revealed.
As the years go by, Thomas’s growing ambition pulls him away from both Alvin and the small town. Tension escalates when Alvin inherits his father’s bookstore, and a strain develops over what Thomas will say at the funeral. Ultimately, Thomas finds himself at a loss. He comes to realize that every story he’s ever written, every piece of success he’s enjoyed, has its roots in Alvin. This profound revelation finally gives him the clarity to understand not only his friend’s importance but also the words to speak at his funeral.
Markus Sodergren brings energy and complexity to the role of Thomas, while Tim Edwards’ portrayal of Alvin is a masterclass in subtle, heartfelt sensitivity. Their connection is an authentic and moving depiction of a friendship that borders on brotherhood, with Alvin’s unwavering belief in Thomas’s success laced with the bittersweet understanding that such success could cost him their closeness.
Brian Hill’s book is quietly powerful, blending unpretentious charm with the kind of homespun wisdom that evokes the warmth of Mark Twain’s Tom Sawyer. It draws you into a world where you can’t help but care deeply for these two men and the journey they share.
Director Robert McWhir handles the material with finesse, guiding the audience through moments of laughter, moments of celebration, and moments so poignant they leave you wiping away tears.
As a musical, the show is supported by a perfectly balanced trio of musicians—piano, cello, and woodwinds—under the sensitive direction of Aaron Clingham. Their beautiful, understated performance complements the vocal work without ever overpowering it, creating a harmonious backdrop for the emotional story.
If there’s one moment that rises above the rest in this night of many treasures, it’s the song “Butterfly,” which arrives about a third of the way into the show. On par with the iconic “Meadowlark” from The Baker’s Wife, Sodergren’s delivery of the song is nothing short of breathtaking, cementing his performance as unforgettable.
The simplicity of the set and the evocative lighting design only enhance the production, with costumes that perfectly match the characters and the overall tone of the piece. It’s a story told with both grace and emotional depth, leaving a lasting impression.
In short, this production is a hidden gem—a piece of theatre magic that’s waiting to be discovered. Don’t miss the chance to experience it for yourself.
Director: Robert McWhir
Book: Brian Hill
Music, & Lyrics: Neil Bartram
Cast: Markus Sodergren, Tim Edwards
Until: 19th October 2024
Running time: 90 minutes, no interval
Photo credit: Peter Davies