A reviewer for Playstosee.com since 2012, Kate’s day job is Development Director at Leeds Community Foundation. She has worked for some years in the arts: Opera North, CEO Axis, (visual artists and makers), Deputy CEO Yorkshire Culture, Head of Development, Theatre Royal, Wakefield. She has also worked in industry: Total oil, B2B Marketing. In 2013, she completed a second degree in English (OU) and an MA in Writing (Novel at Sheffield Hallam).
From the moment Grandma (played by the brilliant Mee-young KIM) shuffles with her trolley into a too-bright lift that takes us up to the world of the ...
This second work in a Hull Trilogy of plays produced by Hull Truck, examines the mystery of The Gaul, the trawler boat that didn’t call May Day, but d...
Don’t miss this rare promenade performance of the Wakefield Mystery plays, known as the Townley cycle! Centuries old, famed in its day for satire and ...
Hull Truck’s Christmas show is a box of sweets. Candy swirls, dolly mixtures, sticks of rock and twinkling sherbets circle the stage - appropriately g...
Royal Shakespeare Company has a cunning plan to attract young audiences to the Bard’s tricky history plays: use headstrong Hal’s path to kingship, an ...
Wikipedia describes this play as blowing ‘a refreshing wind through British theatre’ when it was first performed by Joan Littlewood’s Theatre Workshop...
There’s a smell of rushes as you enter the Viaduct theatre and dappled lighting across a traverse arrangement. We’re in a Lancashire Larkrise to Candl...
Theatre Royal York’s intimate studio space throbs with RJ McConnell’sabstract soundscape and the scattered sand of Gem Greaves’ set (around which we c...