Sexy, scandalous, and smooth, the newest run of Chicago delivers the razzle-dazzle that first made the production famous in the 1970s. Stripped back in set and staging, the show leans into its speakeasy aesthetic, enhanced by an on-stage orchestra and minimal design, creating a slick and energetic atmosphere at the New Wimbledon Theatre.
Janette Manrara plays Roxie Hart with charm and comic timing. Her physical presence is graceful and polished, no surprise given her Strictly Come Dancing background. However, while her movement was assured, her vocal performance lacked the strength and depth typically expected from a lead in this production. Manrara’s charisma is evident, but at times it struggles to fill the emotional and musical demands of the role.
By contrast, Djalenga Scott as Velma Kelly delivers a commanding and magnetic performance. Her rendition of “All That Jazz” opened the show with power and precision, and she maintained that energy throughout. Scott brought grit, wit, and vocal authority to the role, and her scenes consistently elevated the production.
Darren Day’s Billy Flynn brings the suave assurance one expects of Chicago’s famed defence lawyer. His performance of “All I Care About” was a highlight, complemented by well-executed feather-fan choreography and engaging interplay with the on-stage orchestra, which provided a consistent and playful undercurrent throughout the evening.
The integration of the band on stage was a particularly effective choice, blurring the line between orchestra and ensemble and enhancing the show’s pace and atmosphere. Ensemble numbers such as “Cell Block Tango” and “Razzle Dazzle” were tightly choreographed and visually sharp, though at times the production seemed to rely heavily on dance to carry the weight of the narrative.
The musical elements, especially the work of the Ganda Boys and the vocal ensemble, stood out as the production’s strongest asset. However, the show’s minimalist approach left little space for deeper emotional resonance. While several performances stood out — Munashe Chirisa brought humour and energy to Africa 3, and Adil Hassan (Africa 7) delivered a touching moment in Nairobi — others lacked depth, and the emotional arc of the piece felt rushed.
While Chicago is known for its satirical bite and dramatic flair, this revival sometimes favours style over substance. Despite moments of theatrical flair and a clearly dedicated cast, the overall impact falls short of its full potential. The result is a visually polished production that entertains but ultimately misses the deeper dramatic intensity that makes Chicago such a lasting classic.
Created by John Kander and Fred Ebb.
Choreographed by Bob Fosse.
Cast includes Jennette Manrara, Brenda Edwards, and Darren Day.
Duration: 2 hours 20 minutes (including interval)
Playing until 30 August 2025 (currently touring around the UK)