Originally from Oxford, Agnes currently lives in London studying English at UCL. She performs with the university’s drama society and sketch group and is always scouting for theatre with a good plot, a funny joke or a strong political hook.
Tartuffe is an entertaining adaptation of Molière’s original satire on religion. In John Donnelly’s version, the criticism of religious hypocrisy is m...
Stephen Sondheim’s Follies has returned after a phenomenally successful run in 2017. Imelda Staunton may have gone but the production has retained all...
Walking into Haley McGee’s Ex-Boyfriend Yard Sale, we are asked to put a value on the items on stage (a guitar, a bicycle and a typewriter amongst oth...
Martin McDonagh’s ‘A Very Very Very Dark Matter’ seems, by turns, to be a hard-hitting lampoon of the western attachment to canonical white male write...
Tom Adams has been recording his sleep talking over three years and, in Elephant and Castle, between clips of his slumbering chatter, he and his wife ...
A Beginner’s Guide to Populism is a light-hearted comedy about power that becomes darker and darker as the performance goes on, leaving the audience w...
Matt Price takes care to warmly greet each audience member as they enter. He opens with a joke about his impending sweatiness at the mercy of such a w...
