Originally from Cheshire, Sam is currently living in London and has spent the last two years studying architecture at The Bartlett School. Since coming to London he has performed in and written for a number of stage productions, and taken a number of shows to the Edinburgh Fringe. Sam also writes for the award-winning student publication The Cheese Grater Magazine.
In Final Form, Ange Lavoipierre takes a dark, occasionally absurd and always entertaining look at the different versions of ourselves which we present...
Genevieve Carver and The Unsung present an engaging and unique mix of poetry, music and monologue in this tale of a woman’s journey into the music ind...
On the night I arrive at Lulu Popplewell: The Humble Bumhole she greets the audience at the door with her dog (who’s name, forgive me, I did not catch...
John-Luke Roberts is a master, and in After Me Comes the Flood (But in French) drip splosh splash drip BLUBBP BLUBBP BLUBBPBLUBBPBLUBBP!! he is at the...
Set up a 1940s hill in the Mexican rainforest, Tennessee William's The Night Of The Iguana tells the a day and night in the life of the deeply trouble...
Jellyfish is a straightforward play which I find strangely difficult to describe. What’s it about? Well, it’s about relationships, it’s about letting ...
A company celebrating it’s 15th year touring Shakespeare around the country’s stately homes and gardens, The Lord Chamberlain's Men bring A Midsummer ...
On a warm July night, in a city where at that very moment the same play is being performed at least thrice over, Dominic Hill’s atmospheric take on A ...
