Reviewer's Rating The Standard Short Long Drop Tim Hochstrasser 29/09/2023One of the luxuries of reviewing in London is that shows that have enjoyed success in Edinburgh over the summer...
Reviewer's Rating Strangers in Between Tim Hochstrasser 24/09/2023This play was first produced in 2005 in Sydney and has since travelled far and wide. Part of its success...
Reviewer's Rating Rebecca Tim Hochstrasser 24/09/2023On the face of it, Daphne du Maurier’s gothic thriller ‘Rebecca’ is ideal fare for a musical. Set in Monte...
Reviewer's Rating The White Factory Tim Hochstrasser 24/09/2023The Marylebone Theatre is a lovely new 200-seat theatre on the edge of Regent’s Park that combines intimacy, comfy seats...
Reviewer's Rating The Mikado Tim Hochstrasser 22/09/2023What more is there to be said or done with ‘The Mikado?’ Since its appearance in the wake of an...
Reviewer's Rating Anthropology Tim Hochstrasser 20/09/2023AI is one of the biggest challenges and fascinations of our era and yet to date there are few plays...
Reviewer's Rating Infamous Tim Hochstrasser 14/09/2023The outlines of Emma Hamilton’s life-story were notorious in her own time and have remained part of high culture (eg...
Reviewer's Rating Red Pitch Tim Hochstrasser 13/09/2023‘Red Pitch’ was a huge success last year, winning several awards for all aspects of the original production. It returns...
Reviewer's Rating Donizetti And Friends Tim Hochstrasser 11/09/2023Opera Rara does sterling work in recovering lost or out-of-the-way repertory from the nineteenth and early twentieth centuries and then...
Reviewer's Rating Green Opera @ Grimeborn Tim Hochstrasser 08/09/2023After last year’s fine performance of ‘Bluebeard’s Castle’, Green Opera return with three separate operatic offerings. Firstly, ‘555: Verlaine en...
