The Glass Protégé Adrian Pulle 16/04/2015ylan Costello’s ‘The Glass Protégé’ supposedly lifts the lid on the true relationships behind the scenes of the Hollywood film...
Reviewer's Rating Orpheus Aparna Halpé 15/04/2015pera Atelier’s production of Gluck’s Orpheus and Eurydice is a delight precisely because it brings back a pristine, classical approach...
Reviewer's Rating The Unplugging Alia Somani 21/03/2015he Unplugging, written by Algonquin playwright Yvette Nolan, is not a play driven by action. It’s about dialogue. Most importantly,...
Reviewer's Rating Feta with the Queen Katerina Gotsi 15/03/2015tand up comedy is not a newly discovered theatrical genre in Greece. Until recently, though, it was mostly restricted to...
Reviewer's Rating Edelweiss Bells (Οι Καμπάνες του Edelweiss) Katerina Gotsi 27/02/2015f there is one mainstream show at the moment in Athens, one that would attract wider audiences – for a...
Hamlet (Άμλετ) Katerina Gotsi 11/02/2015n Houvardas’ modern dress rendering of Shakespeare’s Hamlet, violence and eroticism – sometimes intertwined – abound; recurring instances of physical...
Die Walküre Aparna Halpé 03/02/2015he Canadian Opera Company’s magnificent remounting of their 2006 production of Wagner’s Die Walküreis a striking example of Toronto’s steady...
Constellations Samantha Cheh 16/01/2015n the quantum multiverse, every choice, every decision you’ve ever made and never made exists in an unimaginably vast ensemble...
Cyrano de Bergerac Line Lévy 02/01/2015he masterpiece Cyrano de Bergerac by Edmond Rostand was written in 1897 and inspired by the thrilling and dissolute life...
The Bells Never Burned Brighter (Süßer die Glocken nie brennen) Becca Kaplan 20/12/2014xteriors can be rather deceiving with Showbühne Mainz. Entering an unassuming door and up a small staircase, one would think...
