Blake Klein, Creative Producer of Pint of Wine Theatre Company, in conversation with Richard Voyce Richard Voyce Interviews 03/04/2019
Reviewer's Rating A Passage to India Nicholas Potter 27/02/2018Dormandy’s adaptation of E M Forster’s novel is provocative in its attention to colonial relations between British and Indian individuals;...
Reviewer's Rating Heads Up Grace Dillon 26/02/2018Before the play even begins, the minimalist set of a table topped only with lights, sound equipment, and a pile...
Frozen Kezia Niman 26/02/2018The revival of the 1998 Bryony Lavery’s Frozen, nominated for 4 Tony awards in 2004, leaves me unsatisfied. The play...
Reviewer's Rating Brighton Rock Max Haydon 24/02/2018Creating a stage play from a novel is a hard feat to achieve especially when it is as popular as...
Reviewer's Rating Foul Pages Zabrina Lo 24/02/2018Foul Pages is no ordinary Shakespeare’s play. Instead of watching As You Like It itself, the audience is transported back...
Reviewer's Rating Semiramide Marc Aronson 23/02/2018Attending the premier of the revival of Giacomo Rossini’s Semiramide at the Metropolitan Opera the week after Black Panther opened...
Reviewer's Rating Version 2.0 Sarah Gibbs 23/02/2018Keats wrote that the poet is the most unpoetical of any thing in existence; he or she inhabits many lives...
Reviewer's Rating Ovo Chloe Darnaud 23/02/2018The show starts off with some classic Cirque du Soleil performer spectator interaction. If, like most here, you’ve been visiting...
Hedda Gabler Nicola Watkinson 22/02/2018The National Theatre’s production of Hedda Gabler opens with Hedda and Berte, her maid, seated on stage. While other characters...
Reviewer's Rating Hard Times Pauline Duverger 22/02/2018Can you conceive of a world where imagination is forbidden? Deborah McAndrew’s adaptation of Dickens’ 1854 novel Hard Times is...
