Reviewer's Rating Il Ritorno d’Ulisse in Patria Owen Davies 19/04/2017onteverdi’s music is enjoying a year of celebration – he was born 450 years ago. As part of the celebration,...
Reviewer's Rating A Machine They’re Secretly Building Marine Furet 19/04/2017Blending video, theatre, and agitprop, A Machine They’re Secretly Building explores cyber security and the commodification of privacy in a...
Reviewer's Rating Queen of Carnage Owen Davies 17/04/2017ueen of Carnage is a performance piece inspired by Purcell’s Dido and Aeneas. Some of the music is recognisably Purcell’s...
Reviewer's Rating Guards at the Taj Rivka Jacobson 17/04/2017n impressive revitalisation of a late Victorian building, has transformed an old library into a place of culture, where library,...
Reviewer's Rating Rosencrantz And Guildenstern Are Dead Samiha Azim 17/04/2017osencrantz and Guildenstern are dead, announces the First Ambassador in Hamlet. The demise of Rosencrantz and Guildenstern is overlooked amidst...
Reviewer's Rating 46 Beacon Max Wilkinson 15/04/2017hotel room in Boston. Blue wall above the bed receding left and right, three ducks flying in the middle. A...
Reviewer's Rating Threads Vera Mikusch 15/04/2017he stage reminds of a post-apocalyptic setting mixed with an untidy student room. The surreal number of cables spanning across...
Reviewer's Rating The Winter’s Tale Luke Davies 14/04/2017he Winter’s Tale is one of Shakespeare’s latest and strangest plays. It’s a mish-mash of genres, with passages of verse...
Reviewer's Rating The Plague Joshua Korber Hoffman 13/04/2017eil Bartlett’s world premiere of The Plague is the first stage adaptation of Albert Camus’ novel, portraying the terror, power...
Reviewer's Rating Around Richard McKee 13/04/2017he programme note said “Suitable for children aged 4+”. The poster at the venue said “Suitable for children aged 5+”. ...
