Tenor Antonello Palombi in conversation with Irina Antesberger Irina Antesberger [Age: 16] Interviews 27/03/2017
Reviewer's rating The Woman who Turned into a Tree Owen Davies 11/04/2023This is a piece of theatre that defies easy categorisation. It is a mixture of spoken word, drama, mime, dance,...
The Dry House Julie Peakman 08/04/2023Set in one morning, the play revolves around an alcoholic middle-aged woman, Chrissy, who is about to go into rehab,...
Reviewer's rating Julius Caesar Mel Cooper 06/04/2023I was certainly lucky to be at a performance of Shakespeare’s Julius Caesar at the RSC in Stratford that had...
Reviewer's rating Betty Blue Eyes Richard Voyce 06/04/2023OK, let me be up front about this. I love the score of Betty Blue Eyes, the musical that has...
Reviewer's rating SAP Emma Burnell 05/04/2023What’s the worst coincidence you’ve ever experienced? In many ways, it is this that sits at the heart of SAP....
Reviewer's rating The Dead CityDie Tote Stadt Josi Steinfeld 05/04/2023Shame on the Arts Council for effectively reducing London to one opera house, making it the poor man of Europe,...
You Bury Me Jad Adams 02/04/2023As the news cycle churns on we forget the protests of yesteryear, the excitement of a time like the Arab...
Reviewer's rating Eugenius – The Musical Richard Voyce 26/03/2023Eugenius! is billed as ‘a thrilling, high-energy 80s-inspired British musical with a superhero-sized heart and an uplifting score’ and well,...
Reviewer's rating La Traviata Josi Steinfeld 25/03/2023Many of Giuseppe Verdi’s operas expose prejudice against social outcasts. Rigoletto – a hunchback, Il Trovatore – gypsies, La Forza...
Killing the Cat Julie Peakman 23/03/2023Those of us who love musicals have eagerly been awaiting new ones, so I was so looking forward to watching...