Reviewer's Rating Further Than the Furthest Thing Hugo Shapero 17/03/2023Strikingly set in the round and adhering to a stylised minimalist set design, this revival of Zinnie Harris’ hit play...
Reviewer's ratings Macbeth Jad Adams 17/03/2023For a play which is famously bad luck among actors (they aren’t even supposed to speak its name) Flabbergast Theatre...
Reviewer's Rating Ballet Black: Pioneers Tim Hochstrasser 10/03/2023This fresh double-bill from Ballet Black introduces two works – ‘Then or Now’, which had a very brief outing ahead...
Reviewer's Rating Jumping the Shark Emma Burnell 09/03/2023What’s so funny about that? The opening question of Jumping the Shark is basically ‘can you teach people to be...
Reviewer's Rating Dead Man Walking Tim Hochstrasser 06/03/2023Jake Heggie’s opera ‘Dead Man Walking’ is a bold contemporary choice for a student conservatory to make, but one that...
Reviewer's Rating Akedah Tim Hochstrasser 06/03/2023‘Akedah’, which translates as ‘binding’ is the first full-length play by a writer who has now gone on to later...
Reviewer's Rating Oklahoma! Tim Hochstrasser 03/03/2023This production first saw the light of day at Bard College in 2015 and was most recently reworked at the...
Reviewer's Rating Giulio Cesare Tim Hochstrasser 26/02/2023While there would doubtless be much dispute over which is Handel’s greatest opera, ‘Julius Caesar in Egypt’ can certainly lay...
Reviewer's ratings The Walworth Farce Jad Adams 25/02/2023The lights go up on a stage where three men are in three rooms side by side. This is a...
Reviewer's Rating The Rhinegold Tim Hochstrasser 24/02/2023After the recent travails of English National Opera it is a real pleasure to be able to say that their...
