Classic Opera, Mozart and Gluck: an interview with conductor Ian Page and theatre director John Wilkie Mel Cooper Interviews 23/05/2019
Reviewer's Rating BabaFish: Expiry Date Katerina Yannouli 22/01/2016xpiry Date is about an old man, Joseph, alone in his last hour, with his memories. In the centre of...
Reviewer's Rating The Rolling Stone Tom Aitken 21/01/2016his play demands (and commands) absolute attention from its audience. Both acts begin with a beautifully sung hymn—Nearer My God...
Reviewer's Rating Reptember Reloaded Rebecca Coates 20/01/2016he Faction’s monologue series returns to the New Diorama. The Man With A Flower In His Mouth – Pirandello,...
Reviewer's Rating Naked Sam Pengelly 18/01/2016here is a certain boldness in staging Pirandello’s lesser-known drama Naked at the Jack Studio. Whilst riveting at points, resident-playwright...
Reviewer's Rating This is Private Property Sophie Nevrkla 18/01/2016he British press have been fixated on London’s housing crisis for the past five years or so. Hardly a day...
Reviewer's Rating Al Seed: OOG Luke Davies 18/01/2016l Seed is a Glasgow-based physical theatre practitioner – and one of the founding members of the highly esteemed Scottish...
Reviewer's Rating Scottish Ballet: Cinderella S.A. McCracken 16/01/2016cottish Ballet’s latest production of Cinderella is the perfect balance of physical comedy and festive sparkle. I realise that sentence...
Reviewer's Rating The Long Road South Hannah Connell 16/01/2016he Long Road South brings to this intimate theatre a personal drama set against the background of the civil rights...
Reviewer's Rating Jekyll and Hyde Camille Hainsworth-Staples 16/01/2016r Jekyll and Mr Hyde is renowned as a work of dark, gothic fantasy – demanding plausible and intense terror....
Reviewer's Rating Gangsta Granny Mel Cooper 16/01/2016caught up with the BSC stage adaptation of David Walliams’ Gangsta Granny in Oxford at the New Theatre where it...
