Reviewer's Rating Queen Anne Rivka Jacobson 15/07/2017ueen Anne, the last of the Stuarts, is one of the more elusive British monarchs. She reigned for 12 years,...
Reviewer's Rating Death of a Salesman Nicholas Potter 14/07/2017eath of a Salesman is one of Miller’s most popular plays. I’ve had the benefit of seeing it twice: the...
Reviewer's Rating Nicht Schlafen Primrose MacFay 05/07/2017lain Platel is amongst the most political of choreographers. It is rather wonderful that he insists that being political is...
Reviewer's Rating L’incoronazione di Poppea Enza De Francisci 03/06/2017n commemoration of the 450th anniversary of Monteverdi’s birth, this exceptional staging of L’incoronazione di Poppea brings to life the heated,...
Reviewer's Rating Richard III Aleksandra Sakowska 24/05/2017ehmet Ergen’s staging of Richard III is neither politically relevant nor entertaining. His contemporary take on Shakespeare’s story of the...
Reviewer's Rating Coriolanus Vanishes Marine Furet 21/04/2017At home, Christopher has a forgiving wife, an adopted son, and a passionate lover...
London International Mime Festival 2016 Plays to See 29/12/20169th January – 6th February London’s annual celebration of contemporary visual theatre LONDON INTERNATIONAL MIME FESTIVAL Saturday 9 January to...
Robert Carsen’s The Rosenkavalier at the Royal Opera House Agustín Blanco-Bazán 20/12/2016Robert Carsen’s new production for The Rosenkavalier, premièred at the Royal Opera House last week, transfers the plot from 18th...
Sleepwalk Collective’s Domestica Luke Davies 17/10/2016After this year’s Edinburgh Fringe, the Guardian’s Lyn Gardner was prompted to write a piece about the peculiar ‘lack of ambition’ among theatre companies today. Theatre...
A Bittersweet Revival: The Pearl Theater’s A Taste of Honey Elizabeth Bove 23/09/2016In 1958 a theatrical and social sensation rocked the British stage world. It was A Taste of Honey, the first...