David Grossman is a critically acclaimed Israeli author whose books have been translated into more than 30 languages. He has won numerous literary awa...
Susanne Kennedy’s production resembles a sadistic human experiment – just as sadistic towards its characters as the petit bourgeois conditions which t...
A spotlight flits across a light-coloured width of material on Mark Lammert’s set, which contracts as if to form the hub of the world, disappearing in...
In the interpretation of Karin Henkel and designer Katrin Nottrodt, the realms of upstairs and downstairs, described by Ibsen as strictly separated li...
Three women, three generations, an unresolved past that stinks of betrayal and blind obedience: “the unmarried” connects April 1945 with the present. ...
In the end, after various attempts of representation by accomplished actors from the Thalia Theater’s company, finally the Lampedusa refugees from Ham...
In the theatre, sparks sometimes fly – but not often do they fly as literally and impressively as in this world premiere from Vienna’s Akademietheater...
It is a very distinctive, crazy imagery that Christopher Rüping has created here, far removed from the severe and sterile style of the original film: ...
For her research project “Common Ground“, Yael Ronen once again works with her cast’s biographies. They are playing their own family stories, dealing ...