David Grossman, in conversation with Hadar Galron
David Grossman is a critically acclaimed Israeli author whose books have been translated into more than 30 languages. He has won numerous literary awa...
London International Mime Festival 2016
9th January - 6th February
London’s annual celebration of contemporary visual theatre
LONDON INTERNATIONAL MIME FESTIVAL
Saturday 9 January...
Warum läuft Herr R. Amok (Why Does Mr R Run Amok?)
Susanne Kennedy’s production resembles a sadistic human experiment – just as sadistic towards its characters as the petit bourgeois conditions which t...
Warten auf Godot (Waiting for Godot)
A spotlight flits across a light-coloured width of material on Mark Lammert’s set, which contracts as if to form the hub of the world, disappearing in...
John Gabriel Borkman
In the interpretation of Karin Henkel and designer Katrin Nottrodt, the realms of upstairs and downstairs, described by Ibsen as strictly separated li...
die unverheiratete (the unmarried)
Three women, three generations, an unresolved past that stinks of betrayal and blind obedience: “the unmarried” connects April 1945 with the present. ...
Die Schutzbefohlenen (The Supplicants)
In the end, after various attempts of representation by accomplished actors from the Thalia Theater’s company, finally the Lampedusa refugees from Ham...
Die Lächerliche Finsternis (The Ridiculous Darkness)
In the theatre, sparks sometimes fly – but not often do they fly as literally and impressively as in this world premiere from Vienna’s Akademietheater...
Das Fest (The Celebration)
It is a very distinctive, crazy imagery that Christopher Rüping has created here, far removed from the severe and sterile style of the original film: ...
Common Ground
For her research project “Common Ground“, Yael Ronen once again works with her cast’s biographies. They are playing their own family stories, dealing ...