Alice in Wonderland

Alice in Wonderland
3

Alice in Wonderland by Poltergeist is a contemporary reimagining of the classic novel, set in a dreamlike version of the London Underground. The protagonist, a local girl named Alice, embarks on a surreal journey through this dreamland, confronting her fears and discovering her self-worth with the help of a host of eccentric characters.

The creative team’s decision to modernise the setting focuses heavily on humour, reimagining iconic characters like Tweedledee, Tweedledum, and the Cheshire Cat as exaggerated caricatures tied to the quirks of the London Underground. While this approach delivers plenty of laughs, it often comes at the expense of narrative depth. These reimagined characters are crafted as walking gags or stereotypes that serve the overarching comedic concept but do little to support the story’s stakes, themes, or Alice’s personal growth. Similarly, the set—though impressively detailed—leans into the humour, with elements like parodied Transport for London safety signs.

That said, the production’s transformation does bring notable strengths. It bursts with energy, delivering moments of genuine comedy that are sure to delight young Londoners. The wonder and expressive creativity of the original Alice in Wonderland are captured through a succession of inventive, dynamic, and amusing character interactions. These moments are brought to life by the standout charisma of actors Khai Shaw and Rosa Garland. The sheer volume of clever comedic material is remarkable and well-paced, supported by vibrant costumes, dynamic lighting, and inventive stage effects. The introduction of the Jabberwocky is particularly gripping, showcasing expert use of lighting to heighten the scene’s impact.

Beyond the humour, there is an earnest core to the story that resonates with young audiences, capturing a Londoner’s struggle to navigate authority and find independence. The Underground becomes a metaphor for a rigid, stifling path in life, and Alice’s journey reflects her aspiration to break free as an emerging rapper.

However, the play’s emotional and thematic potential occasionally falls short. Key relationships, such as Alice’s tension with her mother or her clash with the Queen, are depicted simplistically, lacking the nuance to fully engage the audience. Moments of triumph, particularly when Alice uses rap to resolve her conflicts, feel exaggerated and unearned. The rap itself, though thematically central, isn’t written with enough lyrical finesse to provide a satisfying resolution or emotional impact.

In summary, Poltergeist’s Alice in Wonderland stands out for its inventive humour, youthful energy, and impressive production values, making it a vibrant and entertaining experience. However, its focus on comedy and spectacle limits its effectiveness as a cohesive narrative and a deeper adaptation of Lewis Carroll’s beloved tale.

Brixton House

By Jack Bradfield

Directed by Jack Bradfield

Set and Costume Designer: Shankho Chaudhuri and Debbie Duru

Cast includes Nkhanise Phiri, Toyin Ayedun-Alase, Khai Shaw, Rosa Garland, Will Spence

Until 4th January

Running Time: 120 mins