Reviewer's Rating Beware of Pity (Ungeduld des Herzens) Amelia Forsbrook 13/02/2017s was the case with so many of the tragic heroes that came (and went) before him, it is Hofmiller’s...
Reviewer's Rating Relic Katerina Yannouli 03/02/2017elic from the Latin “relinquere,” which means “whatever is left behind”; a proof of existence – creative or destructive, soothing...
Reviewer's Rating Dewey Dell – Marzo Katerina Yannouli 27/01/2017Marzo Dewey Dell ‘s latest creation is a distinctive performance that attempts to blend dancing and Japanese Noh theatre with...
Reviewer's Rating Cymbeline Aleksandra Sakowska 06/11/2016elly Still’s adaptation of Shakespeare’s Cymbeline for the RSC, now shown at the Barbican, is an inventive reverie-cum-horror which revels...
Reviewer's Rating The Machine Luke Davies 30/09/2016ollective and then… are a contemporary circus company who create multidisciplinary performance pieces drawing on dance, sculpture and physical theatre....
Reviewer's Rating The Alchemist Luke Davies 16/09/2016nusually for a director who has made a name for herself by radically updating classic texts, Polly Findlay’s version of...
Reviewer's Rating Doctor Faustus Luke Davies 15/09/2016here’s a lot that’s commendable about Maria Aberg’s production of Christopher Marlowe’s Doctor Faustus. It’s a brave piece of work:...
Reviewer's Rating Miss Revolutionary Idol Berserker Alessandro Zummo 29/06/2016o you want 45 minutes of Japanese madness? Then Miss Revolutionary Idol Berkeser is the show for you. This summer...
Reviewer's Rating The Shadow King Nicholas Potter 28/06/2016ichael Kantor and Tom E Lewis embark on a very ambitious idea: transforming King Lear into an aboriginal version. Such...
Reviewer's Rating Odéon–Théâtre de l’Europe: Phaedra(s) Aleksandra Sakowska 20/06/2016rzysztof Warlikowski is one of the representatives of the European ‘regie theatre’, a theatre driven and dominated artistically by directors,...