This is the first London-based production of My Mother Said I Never Should since its initial run at the Royal Court nearly thirty years ago. In that p...
It’s a bold thing to take the subject of sex between a teacher and a minor, a topic we only ever see through the comfortingly reductive moral lens of ...
Hookup is the latest play from Outbox, a theatre company who specialise in telling unheard stories from the LGBT community. The format is a series of ...
Dark, in the case of this play, is the operative word. The set is a single spartan strip of obsidian black matting in the middle of the theatre; the t...
Until You Hear That Bell is the first full length piece by Sean Mahoney, spoken word poet and alumnus of the Roundhouse poetry collective. It’s a shor...
This weekend the Extempore Theatre company brought their eighth annual 50-hour improvathon to the LOST theatre in Stockwell, with support from an asso...
Raúl Quirós Molina’s three-character play The Dinner is a study of greed, corruption and desperation, taking its inspiration from the grubby back room...
What are you doing up there mate? asks Tim Key’s character in the opening few minutes of Tree. Minutes earlier we see him arrive for a picnic date und...
A two-character play is always an exercise in basic chemistry.Two elements, with the script as catalyst. Without the camouflage of supporting roles an...
Returning to the Hampstead Theatre for a second time after a sell-out run in 2011, Tiger Country is writer-director Nina Raine’s examination of the in...
