Reviewers Rating Shit-Faced Shakespeare: Hamlet Agnes Carrington-Windo 16/08/2018Shit-faced Shakespeare: Hamlet gives the audience what they want – a talented actor, screwy with the after-effects of two bottles of...
Reviewer's Rating Flight Agnes Carrington-Windo 14/08/2018I was hoping to watch something truly frightening at The Fringe and Flight definitely delivers the goods. Gathered round a...
Reviewer's Rating Waiting for Godot Ben Reiss 07/08/2018Samuel Beckett’s transformational and radical play, Waiting for Godot, is a key part of the global theatrical canon. Performed countless...
Reviewer's Rating 300 el x 50 el x 30 el Katerina Yannouli 02/02/2018The Belgian collective FC Bergman has created a surreal performance that sheds a bizarre yet totally captivating light to equally...
Reviewer's Rating Tesseract Caroline Perret and Lucien Asbury-Perret (15) 30/01/2018Like all great performances and human endeavours, “Tesseract” originates from passion and experimentation, allying the expression of the body, the...
Reviewer's Rating LIFT OFF (Je brasse de l’air) Hannah Connell 25/01/2018Lift Off (Je brasse de l’air) constructs a unique relationship between the human and the mechanical, drawing you directly into...
Reviewer's Rating Perhaps, Perhaps, Quizás Katerina Yannouli 23/01/2018Created, directed and performed by Mexican mime artist and clown Gabriela Muñoz, “Perhaps, Perhaps, Quizás” premiered in New York in...
Reviewer's Rating Le Récital des Postures Hannah Connell 22/01/2018Yasmine Hugonnet’s Le Récital des Postures boldly explores the body’s movement and the imperceptible gestures which construct more familiar poses....
Reviewer's Rating Petit théâtre de gestes Caroline Perret and Lucien Asbury-Perret (15) 19/01/2018An automated accordion player welcoming us onto the makeshift stage of an itinerant fairground show amidst nostalgic music, “Bêtes de...
Reviewer's Rating Sigma Katerina Yannouli 17/01/2018Gandini Juggling is an established company that’s made its name experimenting and fussing together circus and dance narratives. This time...
