Reviewer's Rating Hadrian Aparna Halpé 22/10/2018The Canadian Opera Company’s new commission, Hadrian, proves without doubt that Contemporary Canadian Opera is alive and very well indeed....
Reviewer's rating Twelfth Night Max Haydon 22/10/2018Asked to sum up Twelfth Night in three words, director Wils Wilson said “CHARATER CHARACTER CHARACTER”. This does not go...
Reviewer's rating Stuff Hannah Bainbridge 20/10/2018‘Stuff’, ‘Women and Theatre’s’ devised exploration of hoarding disorder, opens with a snapshot of isolation. Piles of boxes and possessions...
Reviewer's Rating Your Invisible Corset Austin Fimmano 19/10/2018With the spooky season in full swing, a modern, female-oriented take on Bram Stoker’s Dracula sounds like just the show...
Reviewer's Rating Measure for Measure Colin Macdonald 19/10/2018Moscow’s Pushkin Theatre and London’s Cheek by Jowl join forces in staging one of Shakespeare’s knottiest works for BAM’s Next...
Reviewer's Rating Rigoletto Alessandro Zummo 19/10/2018The controversial Victor Hugo’s play, Le roi s’amuse, offered Verdi the opportunity to break with the Italian operatic tradition of...
Reviewer's Rating Mother Night Gillian Russo 19/10/2018The lights come up on a man sitting in prison, writing his memoirs in the face of likely impending death....
Reviewer's Rating Salome Austin Fimmano 17/10/2018Oscar Wilde’s Salome has been the inspiration for countless works of art, film, and even an opera. The story, which...
Reviewer's Rating Still Alice Harry Tennison 17/10/2018The adaptation of Lisa Genova’s novel, by Christine Mary Dunford, is an Ibsen play. Its central figure, Alice, begins to...
Reviewer's Rating othellomacbeth Aleksandra Sakowska 17/10/2018I do like all theatrical experiments that breathe new life into the classics and make them more relevant for our...
