Reviewer's Rating Version 2.0 Sarah Gibbs 23/02/2018Keats wrote that the poet is the most unpoetical of any thing in existence; he or she inhabits many lives...
Reviewer's Rating Ovo Chloe Darnaud 23/02/2018The show starts off with some classic Cirque du Soleil performer spectator interaction. If, like most here, you’ve been visiting...
Hedda Gabler Nicola Watkinson 22/02/2018The National Theatre’s production of Hedda Gabler opens with Hedda and Berte, her maid, seated on stage. While other characters...
Reviewer's Rating Hard Times Pauline Duverger 22/02/2018Can you conceive of a world where imagination is forbidden? Deborah McAndrew’s adaptation of Dickens’ 1854 novel Hard Times is...
Reviewer's Rating Elephant Harry Tennison 21/02/2018Gurpreet Kaur Bhatti’s new play is thought provoking, an open door into the living room of a family who are...
Reviewer's Rating Contemporaneity 2.0 Aparna Halpé 21/02/2018What would truth and reconciliation look like, sound like, feel like, if it arrived through the body-knowledge of Indigenous, Black...
Reviewer's Rating Frankenstein Aleksandra Pytko 20/02/2018In 1818 Mary Shelley published Frankenstein, a novel that tells the story of a young ambitious scientist, Victor Frankenstein, who...
Reviewer's Rating There or Here Luke Davies 19/02/2018There or Here is produced by the same team behind the hit 2013 show Yellow Face. This production tells the...
Reviewer's Rating The Belle’s Stratagem Ben Reiss 19/02/2018To send us skipping into spring with a smile on our lips, Edinburgh’s Lyceum Theatre has put on The Belle’s...
Reviewer's Rating Abduction from the Seraglio Aparna Halpé 19/02/2018The COCs new production of Mozart’s The Abduction from the Seraglio attempts much, but delivers little. The production, at first...
