Reviewer's Rating The Egyptians Tim Hochstrasser 06/03/2023While we take Athenian tragedy as the foundation of so much of what has followed in the Western dramatic tradition,...
Reviewer rating Il Viaggio a Reims Josi Steinfeld 06/03/2023Il Viaggio a Reims, Rossini’s last Italian opera (writing in French thereafter), composed for 14 solo voices, premiered in 1825,...
Reviewer rating Truth’s a Dog that Must to Kennel Owen Davies 04/03/2023This stunning short piece by Tim Crouch is reflection on the nature of theatre and the shared values that bring...
Reviewer rating Andrea Chénier, Josi Steinfeld 03/03/2023Umberto Giordano used the true story of the poet Andrea Chénier, guillotined in 1794 aged 32, three days before the...
Reviewer's Rating Oklahoma! Tim Hochstrasser 03/03/2023This production first saw the light of day at Bard College in 2015 and was most recently reworked at the...
Reviewer's Rating Coppélia Lucy Ashe 03/03/2023The ballet Coppélia has a remarkable capacity for re-interpretation. What better foundation for a story about ambition and power than...
Reviewer's rating Alcina Josi Steinfeld 28/02/2023Monte Carlo Opera has a new, and for the first time, female artistic director, the Queen of Coloratura, Cecilia Bartoli. With...
Reviewer's rating Afghanistan is not Funny Owen Davies 27/02/2023This play is the result of a trip to Afghanistan made in 2002 by the writer and his friend, Sam...
Reviewer's Rating Giulio Cesare Tim Hochstrasser 26/02/2023While there would doubtless be much dispute over which is Handel’s greatest opera, ‘Julius Caesar in Egypt’ can certainly lay...
Reviewer's ratings The Walworth Farce Jad Adams 25/02/2023The lights go up on a stage where three men are in three rooms side by side. This is a...
