1984 Ashvin Vasudeva 22/10/2024Pure Expressions’ 1984 is truly an immersive experience, as its cover suggests. The production cleverly utilizes immersive elements that extend...
Earworm – An Anti-RomCom Richard Voyce 22/10/2024Whilst I love the tried and tested as much as the next person, a new play in a new venue...
Radioactive Practice Hafiza Butt 22/10/2024‘Radioactive Practice’ is an incredibly difficult piece to review, not because it was bad; it wasn’t, but because there is...
The Forsyte Saga Parts One & Two Tim Hochstrasser 21/10/2024The Forsyte Saga has a venerable creative history – whether in the form of the long sequence of novels that were...
★ ★ ★ The War of the Worlds Anna Levitt-Malik. 19/10/2024The Black Mirror-fication of a Beloved Classic A modern dystopia collides with a historical event in the National Youth Theatre’s...
Reviewers Rating The King of Hollywood Julie Peakman 18/10/2024Douglas Fairbanks sits at a dining table somewhere in limbo. He has been dead for 37 years since his last...
The Duchess (of Malfi) Olivia Hurton 17/10/2024The Duchess (of Malfi) by Zinnie Harris rips into John Webster’s bloody Renaissance tragedy to reassert its timelessness: it’s a...
Reviewer's rating Kurt Vonnegut’s Slaughterhouse-Five Jad Adams 17/10/2024A single microphone rises from a misty stage in a production based on Vonnegut’s 1969 novel Slaughterhouse-Five. This is the...
Oedipus Olivia Hurton 16/10/2024Robert Icke’s Oedipus is set in a modern political world. Election campaigns are fought with highly polished videos put out by...
What We Talk About When We Talk About Anne Frank Rivka Jacobson 16/10/2024Nathan Englander’s What We Talk About When We Talk About Anne Frank attempts to delve into themes of Jewish identity,...
