Reviewer's Rating Iolanthe Richard Voyce 15/02/2018Forget Hamilton. There’s a new ‘hot ticket’ in town, and it is, of all things, Iolanthe at the ENO! Appearing...
Reviewer's Rating Pluto Katerina Yannouli 12/02/2018The overwhelming sentiment when I left the Barbican after seeing ‘Pluto’ was: “This was amazing but I am exhausted!”. I...
Reviewer's Rating Carmen Grace Creaton-Barber 12/02/2018If you have any preconceptions of Carmen or, in fact, the entire discipline of opera you shall find them completely...
Reviewer's Rating Somewhere a Gunner Fires Zabrina Lo 12/02/2018The First World War has been widely portrayed as scenes of bloodshed or heroic acts in theatres and films. Nonetheless,...
Reviewer's Rating Catherine and Anita Zabrina Lo 12/02/2018In the beginning, there is only one woman. But she is not alone. Sarah Roy’s powerful one-woman black comedy takes...
Reviewer's Rating Soul of Wittgenstein Tim Hochstrasser 11/02/2018The Omnibus is a welcoming 90-seater space housed in a former library, with a bright, cheerful bar and a resident...
Reviewer's Rating The Divide Nicholas Potter 11/02/2018The Divide takes the form of a dystopian bildungsroman following the teenage Soween Clay (Erin Doherty) as she grows up...
Reviewer's Rating All or Nothing Richard Voyce 11/02/2018You could be forgiven for thinking that a show titled All Or Nothing would have at least a passing reference...
Reviewer's Rating The Moor Vera Mikusch 11/02/2018Bronagh (Jill Mcausland) is a young woman caught in the house of her childhood with an abusive partner and a...
Reviewer's Rating Ken Kezia Niman 09/02/2018The sweet smell of incense invites me into the ‘cloud of stage haze’ that is Ken. This play is Terry...
