Reviewers Rating Solaris Emily Louizou 17/10/2019This new play, written by the acclaimed David Greig, came to London all the way from Melbourne – where the...
Reviewer's Rating The Ice Cream Boys Emma Burnell 16/10/2019The Ice Cream Boys covers a vital and important part of South African history that is just starting to come...
Reviewer's Rating Orpheus in the Underworld Tim Hochstrasser 16/10/2019Emma Rice is a wonderful example of a ‘marmite’ director, whose productions are either greeted as startlingly original interventions that...
Reviewer's rating Don Pasquale Shadi Seifouri 15/10/2019Teetering between cruelty and comedy, director Damiano Michieletto brings a new production of Don Pasquale to the ROH, after its...
Reviewer's Rating Nathalie Inside Out Richard McKee 15/10/2019“Take Back Control!” might well have been the slogan for this astonishing performer. But she had no need to take...
Reviewer's Rating Orpheus and Eurydice Tim Hochstrasser 15/10/2019Gluck’s contribution to the development of opera is still under-appreciated, straddling as he does the transition between the Baroque and...
Reviewer's Rating The Seraglio Owen Davies 12/10/2019Mozart was a businessman who was always on the lookout for ways to make money and get his music to...
Reviewer's Rating Last Orders: The Haunting of the Old Red Lion Vera Mikusch 12/10/2019Far from being a classic play, this little Halloween performance is presented in the style of a documentary. With interviews,...
Reviewer's Rating King John Mel Cooper 07/10/2019Let me start by saying that the new production of Shakespeare’s too-infrequently produced play, King John, is entertaining, moving, engaging,...
Reviewer's rating Agrippina Helen Astrid 07/10/2019Of all the German composers in the 18th Century, Music by Handel epitomises the most European-ness; written in just 21...
