Classic Opera, Mozart and Gluck: an interview with conductor Ian Page and theatre director John Wilkie Mel Cooper Interviews 23/05/2019
Reviewer's Rating Antony and Cleopatra Luke Davies 26/04/2017he RSC’s Rome season, which kicks off with Antony and Cleopatra and Julius Ceasar, pitches itself as a series of...
Reviewer's Rating Charleses Austin Fimmano 26/04/2017You are plunged into Carl Holder’s world of Charleses via a woodshop: ...
Reviewer's Rating Exterminating Angel Owen Davies 26/04/2017homas Ades is the real thing, a British composer writing big works for the operatic stage. In The Exterminating Angel,...
Reviewer's Rating Grease Richard McKee 25/04/2017rease was voted “the No. 1 Greatest Musical of All Time” by Channel 4 viewers in 2003. It certainly isn’t...
Reviewer's Rating The Braille Legacy Richard Voyce 25/04/2017eing the story of a man with apparently boundless devotion to his chosen field, who died relatively young (43) had...
Reviewer's Rating A Machine They’re Secretly Building Marine Furet 19/04/2017Blending video, theatre, and agitprop, A Machine They’re Secretly Building explores cyber security and the commodification of privacy in a...
Reviewer's Rating Rosencrantz And Guildenstern Are Dead Samiha Azim 17/04/2017osencrantz and Guildenstern are dead, announces the First Ambassador in Hamlet. The demise of Rosencrantz and Guildenstern is overlooked amidst...
Reviewer's Rating Threads Vera Mikusch 15/04/2017he stage reminds of a post-apocalyptic setting mixed with an untidy student room. The surreal number of cables spanning across...
Reviewer's Rating The Winter’s Tale Luke Davies 14/04/2017he Winter’s Tale is one of Shakespeare’s latest and strangest plays. It’s a mish-mash of genres, with passages of verse...
Reviewer's Rating Hay Fever S.A. McCracken 12/04/2017Dominic Hill’s production of Noël Coward’s Hay Fever is a playful if traditional take on the well-loved 1924 comedy of manners.
