Power corrupts, and absolute power corrupts disgustingly. That seems to be the message behind Richard Strauss's opera.
Sholem Asch’s God of Vengeance, written in 1906, opened this week at La MaMa Theater. The play explores...
Who do we actually encounter in The Encounter? A powerful artist, some faraway people, our own assumptions. 
Valmont's reputation for savage civility precedes him. The play takes place in the 1780s, not long before the French Revolution...
We enter the third floor cabaret at 59 East 59. The lights are subdued, the small tables covered with white table cloths. We are...