Chloe is a final year journalism student at City University. Contemporary dancer and ballet enthusiast, she is particularly keen on reviewing dance shows. She loves writing and has a passion for French literature.
The show starts off with some classic Cirque du Soleil performer spectator interaction. If, like most here, you've been visiting the Royal Albert Hall...
When Richard Alston says he created the piece very quickly, it’s supposed to be a good sign. It means he was inspired. Inspired by the dancers, he say...
With Jewels, George Balanchine gives the Royal Opera House three cleverly varied ballets; Emeralds (to Gabriel Fauré), Rubies (to Igor Stravisky) and ...
Limehouse pulls you at the heart of Britain’s dismantling political scene in 1981, while sarcastically drawing parallels to the politics of today. “We...
As you step into the Royal Albert Hall, you set foot on the island of Amaluna, surrounded by tall grass and the sounds of waves and birds. Before the ...
Exploring the human body, Yasmine Hugonnet is alone on stage, no music, no décor, nothing. Her long dark hair hiding her face, she slowly changes from...
A man dancing around a microphone, two men joking around with hats, a woman graciously twirling in a silky dress, two men vigorously fighting for a wo...
In an attempt to make the play accessible, L’Avare fails miserably by excessively dumbing down the play. The original L’Avare is already by far Molièr...
Marivaux’s Le Petit-Maître corrigé, revived by Clément Hervieu-Léger, had only been played twice before at the Comédie-Française in 1734. Infuriating ...
First seen at the Edinburgh festival, the two-act adaptation of 16th-century Chinese love story The Peony Pavilion from the National Ballet of China i...
