City University of London Journalism graduate, Chloe studies French literature at La Sorbonne in Paris. Poetry and theatre enthusiast, she is particularly keen on reviewing plays. She also loves writing and has a passion for both photography and cinema.
When Macha Méril first appears on the little stage of the Théâtre de Poche-Montparnasse (literally “pocket theatre”) barefoot in her flamboyant long r...
From the moment Marion Lahmer enters the room from the back door and slowly walks through the stage, beautifully dressed in a white gown and covered b...
During the COVID-19 lockdown, Stéphane Braunschweig was struck by the sight of the buzzing city of Paris going all of a sudden desert and dead silent...
Saison Sèche is like a flower that never ceases to open up. The more I think about it, the more I see the different ways to interpret Phia Ménard’s ex...
Described by the New York Times, as France’s Hamilton, Abd al Malik’s musical adaptation of The Just Assassins does more than giving “ethnic minority ...
“Shall Rome stand under one man's awe?” Full of rhetorical questions and eloquent speeches as instruments of mass persuasion used by politicians faili...
Diving into L’animal Imaginaire is diving into Valère Novarina’s world of poetry and absurdity, as he is not only both the imaginative author and bril...
Les Carnets d'Albert Camus is a spiritual journey between Algiers and Paris in the 40s and 50s. Taken by the sounds of wind howling, birds chirping, a...
“Did you hear? Felix Starro is coming!” echoes around the stage, opening for the first time ever an Off-Broadway musical created by Filipino-Americans...
La Trilogie de la Vengeance is the embodiment of Simon Stone’s wild vision of live cinematographic theatre. Upon arrival, the audience is divided into...
