Reviewer's Rating The Exorcist Harry Tennison 26/10/2016he Exorcist is hailed as being the originator of the mainstream horror genre: whether it be the 1971 novel, or...
Reviewer's Rating The Resistible Rise of Arturo Ui Charles Bittner 24/10/2016t’s certainly au courant and hip to revere the work of Bertolt Brecht, and undoubtedly he’s worthy of this acclaim....
Reviewer's Rating Ariodante Aparna Halpé 24/10/2016here really is only one word that can describe the Canadian Opera Company’s new production of Handel’s Ariodante: Wow. We’re...
Reviewer's Rating Grain in the Blood Marine Furet 24/10/2016he premise of Rob Drummond’s latest play, Grain in the Blood, is a dilemma loaded with tragic possibilities. Will Isaac...
Reviewer's Rating The Pearl Fishers Alessandro Zummo 24/10/2016he Pearl Fishers is one of the early works of the French composer Georges Bizet. He was in his mid-twenties...
Reviewer's Rating Musical of the Year Richard Voyce 22/10/2016usical of the Year, the show currently playing at The Lost Theatre on Wandsworth Road, is a rough re-telling of...
Reviewer's Rating The Nose Owen Davies 22/10/2016he Nose is Shostakovich’s first opera. It was written around 1926/7 during that all too brief period when avant-garde art...
Reviewer's Rating Burn the Floor: Fire in the Ballroom Vikki Jane Vile 21/10/2016urn the Floor is now nearly twenty years old, having first debuted at, of all places, at a birthday party...
Reviewer's Rating Ragtime Henry Johns 20/10/2016ere we are squeezed into the grand and squat Charing Cross theatre, the sound of a train overhead like thunder,...
Reviewer's Rating The Cheviot, the Stag and the Black, Black Oil Marine Furet 20/10/2016his week Joe Douglas’s production of John McGrath’s political drama The Cheviot, the Stag and the Black, Black Oil reaches...
